In August, news broke that the Japanese collective’s wildly popular museum at the Mori Building in Tokyo welcomed over 2 million visitors in its first year, becoming the most-visited museum devoted to a single artist.

The freestyle flows. In a major show of the same name, Salcedo presented some of this work at the Irish Museum of Modern Art this past spring.Salcedo also made waves this year through her public artwork in Bogotá called,Beyond making and showing his own work, Julien also kept very busy this year supporting the work of other artists. Correction: A previous version of this article incorrectly referred to Nan Goldin’s PAIN as an anti-opioid activist group.

Working with two core partners, turntablist Val Jeanty and drummer Terri Lyne Carrington, Davis devises a new strain of avant-garde chamber-jazz, volatile yet gleaming. PAIN’s activism is focused on the Sacklers, overdose, and toxic philanthropy.Kara Walker does not disappoint when it comes to major commissions, and her installation at,The work, which is on view until April 5, 2020, references the horrors of the transatlantic slave trade and the legacy of racism it left behind. How do we care for each other? With guest artists including musician/poet/rapper/actor Saul Williams,A lot of artists made big, ambitious albums in 2019, but few soared as wondrously as Weyes Blood's,Our Native Daughters chose a band name and album title that highlight the kinship ties between the four group members — Rhiannon Giddens, Amythyst Kiah, Allison Russell and Leyla McCalla — and their musical, cultural and spiritual ancestors. And while its musicality and artfulness are outstanding, the album spans party anthems and themes of love, history and political activism too. His time-altering mixes — as otherworldly as Sun Ra's Afrofuturist musings; as inventive as Kool Herc's Merry-Go-Round breakbeat technique — were the soundtrack for anybody coming of age in the '90s in H-Town. And as the art world descended on London for Frieze in October, Victoria Miro opened “Rock My Soul,” a powerhouse exhibition of black female and non-binary artists curated by Julien. This year she found champions in Shooter Jennings and Brandi Carlile, who took up the task of framing Tucker with a warmly rustic, often rocking vintage sound on,In the hands of pianist Kris Davis, a musical phrase can bristle or bloom — sometimes managing both at once, as often happens on this visionary album.

1. From there, the sky was the limit, with institutions and blue-chip galleries clamoring to belatedly catch up to the nonagenarian.This year saw a wave of major career milestones for Hurtado.“Some of Hurtado’s most powerful works offer a vision of the human body as a part of the world, not separate from nature, while others focus on the language that we use to bridge the gap between ourselves and others,” said Serpentine curator Rebecca Lewin. It's an album that rustles with collective imagination and purpose. Quotidian objects — dried figs, stretch mark cream, a cigarette, a porn magazine — become vessels for meaning both grander and more visceral than expected. They tainted the water. It practically became a genre unto itself, with DJs taking up the mantle, younger artists adopting the sound and producers incorporating his slurred, stutter-step technique. The trio swiftly became the talk of the town—and the art world—as they clinched the ultimate prize, the Golden Lion. I’m not interested in true or false, I’m interested in: this is how I’m feeling in relationship to it.”.The 99-year-old Venezuelan painter Luchita Hurtado is proof positive that art-world success can come to those who wait, and 2019 was her belated breakout year. There’s certainly the market narrative, in which KAWS is an increasingly hot commodity commanding astronomical prices: Earlier this year, a,Though it’s still tempting for critics to disregard his vibrant, whimsical paintings—which often appropriate pop-cultural figures—a groundswell of institutional support has forced the art world to.KAWS’s global takeover continued apace with the late October opening of an exhibition in Qatar—his institutional debut in the Middle East, curated by esteemed art historian Germano Celant. “Doris Salcedo does not shy away from change but rather is determined to be a game-changer,” said Hajime Ikeda, the senior managing director of Nomura, in a statement.The artist plans to use the money to fund new installments of her ongoing series “Acts of Mourning” (1999–present), through which she tells the stories of victims and survivors of the Colombian civil war.

He curated his own solo show at Oxford University’s Ashmolean Museum, and a two-artist show pairing him with,Mickalene Thomas Opens a Seductive, Spectacular Show in Miami,Nan Goldin’s New Show Is a Raw, Emotional View into the Dangers of Addiction,Yayoi Kusama’s Radical Work Goes Far beyond Her Infinity Rooms,Making Sense of Sterling Ruby’s Beautifully Grotesque Art,appointed as a United Nations Goodwill Ambassador,earned almost $6 million (with fees) at Phillips. Months later, he released his fourth album with the same title. The year’s most influential artists drove unprecedented crowds to museums, incited heated debates, spurred Instagram sensations, and set splashy auction records. The works, with their larger-than-life presence and vibrant threads in shades of magenta and rust, commanded attention and presented weaving as a formidable, heroic exercise. Nigerian singer, songwriter and actress Tiwa Savage released the dance ballad “Eminando” in 2013.